Playing the Sound Mosaic or Why Sound Engineers Dislike Seagulls
To understand how good sound affects a viewer’s experience of a film, try eating a strawberry while pinching your nose. Without its alluring aroma, the berry seems far less tasty. So it is with sound in cinema — a misty, wild, howling blizzard turns into a dull meteorological phenomenon. A bright sunny day in a thawing spring forest becomes an unremarkable landscape on a flip calendar page. One could go on with examples endlessly, but the point is the same — without sound, any picture is just a picture, unable to convey the emotions, sensations, and thoughts it might otherwise awaken even in a casual viewer.